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Edgar Degas
The Singer with the Glove
The Singer with the Glove, 1878, The Fogg Art Museum, Cambridge, Massachusetts
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Edgar Degas
Miss La La at the Cirque Fernando
Miss La La at the Cirque Fernando, 1879, The National Gallery, London
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Edgar Degas
The Millinery Shop
The Millinery Shop, 1885, The Art Institute of Chicago, Chicago, Illinois
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Edgar Degas
Ballet Rehearsal
Ballet Rehearsal, 1873, The Fogg Art Museum, Cambridge, Massachusetts
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Edgar Degas
Dancer with a Bouquet of Flowers
Dancer with a Bouquet of Flowers (Star of the Ballet), 1878
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Edgar Degas
Stage Rehearsal
Stage Rehearsal, 1878-1879, The Metropolitan Museum of Art New York City
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Edgar Degas
Dancers at The Bar
Dancers at The Bar, 1888, The Phillips Collection, Washington, DC
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Edgar Degas
Woman in the Bath
Woman in the Bath, 1886, Hill-Stead Museum, Farmington, Connecticut
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Edgar Degas
The Tub
The Tub, 1886, Mus??e d'Orsay, Paris, France
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Edgar Degas
After the Bath
After the Bath, 1896-1898
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Edgar Degas
After the Bath
After the Bath, Woman Drying her Nape 1898, Mus??e d'Orsay, Paris, France
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Edgar Degas
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Edgar Degas
woman witb a gren iutu
mk289 1880-85 pastel on paper private collection london
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Edgar Degas
dancers pink and green
mk289 ca1890 oil on canvas metropolitan museum of art new york
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Edgar Degas
ibe amazons
mk289 1882 pastel 97x64cm private collection
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Edgar Degas
dancers
mk289 1902 pastel 83x112cm private collection
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Edgar Degas
absint
1876/1877
se
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Edgar Degas
pellegrini
carlo pellegrini
1876/1877
se
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Edgar Degas
pa kapplopningsbanan
1869/1872
se
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Edgar Degas
Madame Camus
Madame Camus (1869?C1870, Edgar Degas) located inside the National Gallery of Art's West Building in Washington, D.C.
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| Edgar Degas
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French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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